You have to feel sorry for this poor kid, BUT I imagine this prompted him to ask "why" is that one deeper than the others! It also may have scarred him for life and he'll never explore another mud puddle, sandbox, or swiftly moving river again! But seriously, that's a deep hole with no real evidence explaining why... I've seen potholes like that before, but not puddles! I'm guessing man made (like when I tried to dig to China), but maybe you have some other ideas!
Monday, June 23, 2008
Tuesday, June 17, 2008
Accretionary Wedge #10: Geology in Art
Well, depending on your geographic location, you have may have been experiencing similar thunderstorms as those blanketing Vermont - so I've stayed away from the computer until it seemed safe again! We had a great turnout and I'm thrilled to write up this summary.
I think a lot of scientists live with the dogma that they aren't necessarily artistic or creative (i.e. - the whole left versus right brain argument). But geology is a science driven in many cases solely by imagination and creativity, which then leads to an artistic representation or recreation of a time we'll never visit, a place we'll never see with our own eyes, or an organism that was only partially preserved. Not only do I believe our science riddled with aesthetic values, but as your submissions indicate, many geologists also yearn to see our science within 'traditional' art, literature, music, etc.
Within the genre of paintings/sketches, Hypocentre offers an abstract representation of the Law of Cross-Cutting relationships from Glen Tilt painted by John Clerk for James Hutton, David over at Cryology and Co. provides a link to a fascinating sequence of glacial landscapes and a discussion on the climatic inferences one can make from historical paintings, Silver Fox describes a beautiful McLure's Magazine cover meant to illicit and capture the life of early prospecting in Montana, Tuff Cookie posted both paintings and photos while discussing the early expedition into Yellowstone and the significance of Thomas Moran's work in preserving this region (for past and future field camp visits?), Kim offers up a double dose of art with a Chinese painting and poem, one which I think all of us can identify with, EffJot posted a beautiful cross-section, complete with historical context, which is housed in the German Federal Institute for Geosciences and Resources - I wish I had the pleasure of walking by that one every day, and Dr. Ralph Harrington writes with exceptional talent describing Sir William Hamilton's "Campi Phlegraei: Observations on the Volcanos of the Two Sicilies" and provides a few beautiful examples from this monograph. If I remember correctly, Hamilton is the guy who carried all sorts of materials and objects up Vesuvius to throw into the lava streams just to see "what would happen" - but I might be mistaken. And finally, albeit belatedly, Chris reminds us all that geologic maps are not only informative and fun to make, but art themselves. My undergraduate structure professor once told me that when making your map, if you're confused about the geology in an area to "color it beautifully" to make up for that fact... This was tongue in cheek of course, but a reference to the aesthetics one should consider in mapping!
Within the genre of geologic materials, Andrew asks us to keep an eye out for anthropomorphic features in outcrop - clearly a fan of The Old Man in the Mountain, Coconino explores the link between geology and architecture in Los Angeles - and made me jealous with her choice in countertops, similarly the Lost Geologist gives us an e-walking-tour exploring Berlin's building/carving stone origins - this seems to be a topic that is ripe for exploration in almost any city, perhaps the online geocommunity needs to provide such a service for the world? An online repository of virtual building/carving stone tours?
Within the genre of the written, the read, and the sung - Geotripper revels us with a short rendition of Landslide (anyone else care to "chime" in on their favorite geo-song), Harmonic Tremors describes a fascinating relationship between geologic processes, culture, and Javanese music, goodSchist posts a beautifully chilling Maori legend surrounding Mount Taranaki (and manages to sneak the word Emo into the post) and also provides a link to a recent discussion that might be of interest, and finally Brian posts yet another geo-relevant song - Rift by Phish - which conjures up images of topography and should metaphorically elicit a response from any geologist!
It's a small n I know, but it seems as though geologists are still drawn to the visual - the paintings and sketches that we can interpret through 'scientific' eyes. The paintings of Moran, Cole, Turner, Brueghel, Friedrich, Church, etc., are easily appreciated and interpreted by our well-trained eyes. It was a real treat to see where people took this Wedge and I look forward to future posts on the topic, whether individual or whether we choose to tackle a more specific genre (e.g. - geology in music). Finally, there are some wonderful books out there that provide more information on this alternative perspective of our science: Romantic Rocks, Aesthetic Geology, Bedrock: Writers on the Wonder of Geology, and a new release I just saw in GSAToday is Home Ground: Language for an American Landscape. Thanks, this was a blast and very informative!
Labels:
aesthetic geology,
architecture,
geology painting,
music,
sculpture
Wednesday, June 11, 2008
Volcano Tour of Italy...
I wanted to share a few photos from a trip I took in April visiting all of the "major" volcanoes in southern Italy. I took a train from Meran to Milan and then flew EasyJet to Catania, a relatively painless traveling day. Saturday morning I awoke in the 'Sea and Volcano Room' at the Catania City Center B&B to a fabulous view of Etna.
I then took a trip up Etna with Etna Excursions, but by the time we arrived on the mountain, it was windy and snowy, so I didn't get to see much of the volcano. We traveled across various aged lava flows and poked around a little lava tube but it was fairly anticlimactic given the photos I've seen of Etna...
I traveled north to Messina via TrenItalia and caught an UsticaLines ferry to Vulcano. I can tell you that off-season on Vulcano is quiet... It took quite some time to find a room, not because it was crowded, but because so many of the pensions were closed! I headed up the main street, Vicolo Vulcano, and then up a well-worn path to the rim of Vulcano. Luckily I passed a sign that was clearly put there for geologists (I was informed by a National Park Service employee in Hawaii how crazy we all are) warning about the fumerols.




The wind was incredibly strong and blowing the nasty air away from me, otherwise I wouldn't have wandered so close (ok, maybe)... I took a few movies, none of which capture the true nature of standing on the rim of this mellowly belching volcano.
Honestly, with the wind, there was little danger of inhaling much of anything, in fact this was the front of a scirrocco that blew up from Africa, the next day I could see dust veils carried to the west. This fresh sulfur will likely make its way down to Vulcano and sold to tourists throughout the summer, a renewable source of income!
I continued on to Stromboli, the 'jewel' of my trip... You have to summit Stromboli with a guide, as far as I could tell there are only two, but perhaps more during the summer months. I summited with Mario Pruiti, a guide working for MagmaTrek. The hike took about 3.5 hours with a large group, it's probably 2 hours if you could just hike up on your own. The sun started to set as we reached the summit, so we were offered a beautiful sunset and an amazing light show. Mario informed us that this was as active as Stromboli had been in 3 weeks. I've been close to lava before in Hawaii National Park, but that was flowing lava not erupting pyroclastics. Watching the cinder cone develop as debris fell was fascinating... so was listening to and feeling the volcano beneath you. A living and breathing system indeed...




Just a smattering of the photos I took along the way, eventually I'll build a more comprehensive flash gallery of the rest, including a few photos from Pompeii and Vesuvius... I was underwhelmed at Pompeii to be honest, mainly because of the 1000's of people clogging the streets in April, I'm scared to think of what it's like in August!!! If you're planning a trip to any of these volcanoes, shoot me an email and I'll see if I can offer any help to make it run more smoothly!
I then took a trip up Etna with Etna Excursions, but by the time we arrived on the mountain, it was windy and snowy, so I didn't get to see much of the volcano. We traveled across various aged lava flows and poked around a little lava tube but it was fairly anticlimactic given the photos I've seen of Etna...
I traveled north to Messina via TrenItalia and caught an UsticaLines ferry to Vulcano. I can tell you that off-season on Vulcano is quiet... It took quite some time to find a room, not because it was crowded, but because so many of the pensions were closed! I headed up the main street, Vicolo Vulcano, and then up a well-worn path to the rim of Vulcano. Luckily I passed a sign that was clearly put there for geologists (I was informed by a National Park Service employee in Hawaii how crazy we all are) warning about the fumerols.
The wind was incredibly strong and blowing the nasty air away from me, otherwise I wouldn't have wandered so close (ok, maybe)... I took a few movies, none of which capture the true nature of standing on the rim of this mellowly belching volcano.
Honestly, with the wind, there was little danger of inhaling much of anything, in fact this was the front of a scirrocco that blew up from Africa, the next day I could see dust veils carried to the west. This fresh sulfur will likely make its way down to Vulcano and sold to tourists throughout the summer, a renewable source of income!
I continued on to Stromboli, the 'jewel' of my trip... You have to summit Stromboli with a guide, as far as I could tell there are only two, but perhaps more during the summer months. I summited with Mario Pruiti, a guide working for MagmaTrek. The hike took about 3.5 hours with a large group, it's probably 2 hours if you could just hike up on your own. The sun started to set as we reached the summit, so we were offered a beautiful sunset and an amazing light show. Mario informed us that this was as active as Stromboli had been in 3 weeks. I've been close to lava before in Hawaii National Park, but that was flowing lava not erupting pyroclastics. Watching the cinder cone develop as debris fell was fascinating... so was listening to and feeling the volcano beneath you. A living and breathing system indeed...
Just a smattering of the photos I took along the way, eventually I'll build a more comprehensive flash gallery of the rest, including a few photos from Pompeii and Vesuvius... I was underwhelmed at Pompeii to be honest, mainly because of the 1000's of people clogging the streets in April, I'm scared to think of what it's like in August!!! If you're planning a trip to any of these volcanoes, shoot me an email and I'll see if I can offer any help to make it run more smoothly!
Thursday, June 5, 2008
Seeking Submissions for Accretionary Wedge #10: Aesthetic Geology - Geology in Art
The joys of a dead laptop in a foreign country! Sorry I've been away so long again, I returned from Italy and I'm now officially requesting submissions for geology in art (e.g. - paintings, poetry, literature, sculpture, buildings, etc). This possibilities are ENDLESS and I'm really excited to see what you've discovered over the years! I'm bummed that I missed out on Wedge #9 - Significant Geologic Events, although I'm wondering if in a group of this many scientists, did anyone ask how we were defining "significant?" Sorry, flashback to graduate school...
The deadline for submission is June 15 (even though it says June 8th on the Accretionary Wedge schedule) and my only request is that we try to dig up as much background as possible on the origin of the work and possible influences on the artist. Please add a link to your submission in the comments section or shoot me an email.
Let the mafic creativity flow!!!
Labels:
aesthetic geology,
geologic,
painting,
poetry,
sculpture
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